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» » O Yuki Conjugate - Peyote
O Yuki Conjugate - Peyote mp3

O Yuki Conjugate - Peyote mp3

Performer:
O Yuki Conjugate
Album:
Peyote
Country:
Released:
1991
Label:
Projekt
Catalog:
PRO 33
Style:
Tribal, Experimental, Ambient
MP3 archive size:
2207 mb
FLAC archive size:
2234 mb

Tracklist

1Tidal Dance
Tabla – Maneesh Chandra
4:24
2Earth Loop (Fragment)
Keyboards – John KaukisPercussion – Dave Collins
3:42
3A Darker Belief
Percussion, Berimbau – Dave Collins
5:04
4Dusk, Dead Heart4:59
5Alia Ma
Keyboards – John Kaukis
7:05
6Still Breath
Keyboards – Kenneth F. YatesVocals – Chris Lucas
5:20
7Long Pig
Percussion, Vocals [Chant] – Kenneth F. YatesPercussion, Vocals [Nose-singing, Chant] – Dave Collins
7:14
8Snake Charm
Keyboards – John KaukisPercussion – Dave Collins Tabla – Maneesh ChandraVocals – Chris Lucas
5:56

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
MRC·011, MRC 011O Yuki Conjugate Peyote ‎(CD, Album)Multimood Records, Multimood RecordsMRC·011, MRC 011Sweden1991
PRO33O Yuki Conjugate Peyote ‎(Cass, Album, C44)ProjektPRO33US1991
MRC·011, MRC 011O Yuki Conjugate Peyote ‎(CD, Album, RE)Multimood Records, Multimood RecordsMRC·011, MRC 011EuropeUnknown
MRC 011O Yuki Conjugate Peyote ‎(CD, Album, RE)Multimood RecordsMRC 011Unknown
PRO33O Yuki Conjugate Peyote ‎(CD, Album, RE)ProjektPRO33USUnknown

Credits

  • DesignA. Harrison
  • EngineerJoe King
  • Performer [O.Y.C Are]A. Hulme, C. Elliott, R. Horberry, T. Horberry
  • Photography ByA. Hulme
  • Written-ByO Yuki Conjugate

Notes

Recorded and digitally mastered at Frontier,
Nottingham, August 1988 ~ February 1990.

Packaged in a grey-tray jewel case, with an illustrated 6-page folded insert that includes credits and release information.

Originally released on CD by Multimood earlier in the year.
Also released on Cassette by Projekt.
Repressed in December 2005.

Companies

  • Licensed From – Multimood Records
  • Published By – Multiplex Music

Video

  • The 1986 release of SPK’s Zamia Lehmanni - Songs Of Byzantine Flowers led to years of immitators, picking up on the tropes of industrial noise loops combined with sacred and profane sounds drowning in mirky oceans of reverb. A far departure from Brian Eno’s ambient austery and modal fascinations, this was an approach to ambience that carried within it industrial music’s obsessions with prurient decay and surrealist mockery of western capitalist values. And just like the European surrealists with their colonialist fantasies, so too a certain cohort of ambient industrialists would assume the tropes of non-western instrumentation and tuning. Perhaps the most accomplished of the latter were O Yuki Conjugate from Nottingham. Here is the band’s third release and the beginnings of their detour through ethno-new age. Released in 1991, the album served as a refuge for goth dissidents at the time.